Friday, October 9, 2009
when memories fade we've got each other <3
I learned that I love mojitos and there are a lot of people who hate fish haha
I learned so much about myself that I never thought possible. I never wanted to be one of those "I found faith in Italy" type people, or better yet I never, ever thought I would hear myself say that or even think it. But I really did. Though my thoughs and beleifs may still be off the beaten path, I actually know what I believe now and I think it took being here now with these specific people to do that for me. I don't believe for a second that it is coincidence that we are all here because we all have so much to offer each other specifically. We fit together like lattice tilings!! haha Of course we all know The Shack helped pave my path to my new understanding and I still insist you all read it. We will pass it around!
As important as all that is, I think it's most important that I learned so mcuh about so many amazing people. I'm not tryin to get all mushy gushy in a blog, but you are all amazing people with so much to offer the world and I am going to miss every single one of you verrrrrry much. It really isn't about what you know, it's all about who you know. We are always saying "we know Danilo!" and that obviouisly gets us pretty far here. But I think you can know everything there is to know about everything, but without someone to share it with, it's nothing. <3
the final final...
Tiling by definition is the covering of an entire plane with non overlapping figures. The key to tiling, as laid out by St. Thomas Aquinas, is symmetry. All that really means is that the proportions of the images you are looking at should be equal or mirrored. This component makes the tiling pleasing to the eyes and allows things to fit together in a way that is orderly and makes sense. Ceramic is the most common material used to create tiles and has been being used by man to create decorative or practical tiles for 4000 years. Decorative tiling can be found in ruins and different buildings all around the world. They were first made by hand and laid out to bake in the sun and remained flat. They could then paint them to make them more appealing. After a while they were able to make a mold out of wood that would help make a consistent size, shape and patter on each tile. The manufacturing and decorating of the tiles was perfected during the Islamic period in Persia.
Now-a-days we have machines to do all the making and painting of the tiles that we use all over the place. The most common patter is monohedral which uses only one shape and size of tile. It’s common to find tiling like this in practical places like many kitchens and bathrooms. These tiles and many others are considered edge-to-edge because they share a side with the next tile as opposed to being a free shape. In the 1970’s Sir Roger Penrose developed the Penrose tiling which is non-periodic, meaning there is not repetition within the pattern. These types of tilings seem to remind me of a flower usually and often take up larger spaces. We see a lot of frieze patterns in the museums and buildings we visit in Italy. This type of tiling is not meant to fill a plane like a floor or a wall, but is instead used as borders to other planes and/or materials. My personal favorite type of tiling was developed by M.C. Escher as a result of his study on the Regular Division of the Plane. It is called lattice tiling and can contain pretty much any pattern you can imagine. When the individual tiles come together at the sides they fit together like a puzzle piece in order to complete their shape. I read in multiple articles that Escher was known for his eye for abstract beauty. My favorite was one that said he “likes to challenge the logic of seeing.” He would sit there and draw random animals and people interlocking in every way possible until he could come up with an infinite pattern with aesthetic value and after 40 years of practice he mastered his obsession.
The first example of complex semi-regular tiling that comes to mind is the tilings we saw in the Vatican museum on the floors. They are from all over the place, brought to the museum not just to cover the floor but to be on display. They were there and we saw them but I don’t know that we were able to appreciate their worldly value. They create a mosaic picture which in some cases which can tell a story just as much as the statues and paintings in the room around it. Not to mention the fantastic colors and patterns created even without a picture. Just about every church and museum we have visited has had a wide variety of tilings on display that I feel often get over looked because we are so focused on looking up. I think from now on I will take a second to look down at the patterns in the floor or on the walls or borders as well as the art in the vicinity.
Thursday, October 8, 2009
birth-day-cake! birth-day-cake! =)
Sunday, October 4, 2009
Art Final ... yes.. I said FINAL =S
Just as Leonardo said in our tour of the Vatican Museum, one of the most popular candidates for the whole of the original statue is Hercules due to its proportion and muscularity. It was thought that it was intended to be Hercules sitting on the skin of the Nemean Lion but after further research it was found that if it is indeed an animal hide then it’s consistent of panther, not lion. It was always just sort of assumed that it was the mighty Hercules, but if the skin is of a panther then it doesn’t really make any sense for it to be Hercules. The newer theories are that it may be Polyphemus or Marsyas or even still Hercules, but we can never really know who or what Apollonius, son of Nestor intended. For all we know he could have made it the way it appears today as a joke. How hilarious would that be?
It is also important to note that ‘The Torso’, as it has come to be known, can be seen rather obviously in Michelangelo’s painting on the ceiling of the Sistine Chapel. The Torso was inspiration for many artists who attempted to recreate or sketch it. I can relate to this because my imagination is inspired when I look at this sculpture. Not knowing exactly who or what it is makes my little brain just go crazy. I try to picture the completed statue in so many different ways. I have seen it with a head and arms that bear a striking resemblance to my Papaw then a minute later I imagine a goat head and something like monkey arms or duck feet. As outrageous as that sounds, it’s not completely impossible and I have an outrageously vivid imagination so I can actually picture it like that. I am always looking for reasons why and explanations for those things that can’t be or haven’t been explained no matter how nonsensical my fabricated explanations may be. I assume that is why I am so drawn to The Torso, because it lets my imagination go wild instead of having a concrete (or marble in this case) story or explanation. It’s mysterious and powerful because no person can say they know everything about it. It more or less can’t be beaten by even the most knowledgeable human on earth and to me that is absolutely beautiful.
Thursday, October 1, 2009
Your peeps aren't Caths?
There are some interesting symbolic factors to this fountain as well that I would never have noticed or recognized without digging deeper. For example, there is a bronze pigeon at the top of the fountain that represents the transcendental peace of the church over the whole world or the world as they knew it. It is not a secret that Bernini and Borromini were not on good terms. There are theories that suggest that the rivers of Rio della Plata and the Nile were placed facing the Church of Sant’Agnese in Agone which was by Borromini. The hand of the personification of the Rio della Plata has a hand raised at the church supposedly to shield himself from the collapse of the church suggesting instability and faulty work by Borromini. It is also suggested that the personification of the Nile has his face covered not because they didn’t know where the Nile came from, but because he was refusing to look at the work of Borromini. Which I think is pretty funny ha.
Monday, September 28, 2009
No detouring from MY tour!
We begin in the Campo de Fiori...
- "La Carobonara" was opened first in 1912 and provides a unique panorama of all of Campo de Fiori. They feature indoor and outdoor seating for a private, more ellegant dining experience or for some ultimate people watching.
Now we travel out of the Campo towards Corso Vittorio Emanuele II through the Piazza della Cancellerina. (Watch out crossing the C.V.E II! Those Italians and their Vespas..) Pass through the Piazza s. Pantaleo onto Via di Santa Maria dell'Anima where you can find all kinds of restaurants and cafe's, but they are pretty much your standard sit and eat places. None that really jumped out at me. So you take this street all the way to Largo Febo...
- "Ristorante Santa Lucia" is tucked back in a corner with a dining area just above Via di Santa Maria dell'Anima. They have an ellegent outdoor setting until winter and an impressive selection of some rather expensive food. The average cost of just the main course was 28 Euros with the most expensive being around 35 Euros. The dining square is up high enough that you can get a glimpse of Italy at work or leisure while enjoying the authentic Italian cuisine from a comfortable setting.
Now we take a right into Pazza Navona which to me embodies the essence and root of Italian culture. It was important a long time ago as a circus which was an important cultural center and now serves as the classic example of Italian culture. All the restaurants in the Piazza are worth while, but the ones I chose are all tied together by the Piazza and it's activities. Upon entering the Piazza on your left you will find...
- "Domiziano" which is at the head of the Piazza where you can clearly see everything going on all over the place. It would be a great place to just sit and talk or watch the hustle bustle of the people around the Piazza. Another reason I liked this place is because all the people I observed or talked to in this particular restaurant didn't speak much english if any at all. It really reminded me that I'm actually completely emersed in the heart of Italian culture because I'm so used to more or less being able to get my point across in english almost everywhere we go.
Now continue through the Piazza keeping on the left side.On your right you can see an innumerable amout of people selling various products or talents and all kinds of people from all walks of life gathering for whatever reason. All the hardcore classic Italian chitter chatter can be picked up on here. You know, the kind that even some Italians need a translator to understand because of the strong accents and Speedy Gonzalas pace of conversation. On the left near the center...
- "Don Chisciotte" has pretty much everything you could possibly want to eat without completely breaking the bank. It was by no means cheap in the eyes of a college student, but for those looking for a moderately priced meal with a variety of Italian cuisine, this is the place to go. Near the heart of the Piazza, it gives you a front row seat to the events taking place in the Piazza. Another plus to this particular restaurant was that the guy I was talking to pointed out the Alfredo as a favorite before I even got excited about it being on the menu. They weren't pushy or rude like a lot of people can be when they really want you to sit at their restaurant.
Now you keep heading straight out of the Piazza on the left side down Via della Cuccagna after taking in the sights and sounds of the heart of Piazza Navona, it's statues and inhabitants to find...
- "La Piccola Cuccagna dal 1950" which means "the small land of plenty". It was established in 1950 and features a menu for those looking to get a taste of a variety of Italian cuisine in one sitting without the entire meal for 18 Euro. Just outside the Piazza, there is a constant flow of people coming and going, chitting and chatting. It's also a little dark in this small Via at most points of the day, so the Piazza serves as almost a light at the end of the tunnel and can be viewed from the dining area of this "small and of plenty."
We now venture back across Corso Vittorio Emanuele II back into Campo de Fiori. In the far back right corner you will find my favorite of the tour and most odd for the area it's situated in...
- "The Drunken Ship" serves a variety of food from American cuisine to traditional cheese platters found only in Italy. You can experience the best of both worlds, as they really are two completely different worlds in my eyes. Not to mention a front row seat to the show we know as Campo de Fiori and a spicy night life after the market closes down. They convert from a casual dining experience to a hoppin' bar at night where you will discover their slogan is "Get Ship Faced." I'm sure you can imagine I find this utterly amusing.
This concludes my tour of "Eating Rad in Rome" with 5 unique restraunts all tied together by the Piazza Navona and Campo de Fiori and the people/activities that make them the cultural centers they have come to be. Not to mention some awwwwwesome food!!
Thursday, September 24, 2009
Ahhh Ewwwww!!!!!...what are we 'ewwing'?
I see the universalness (I make up words) in the simple Catholic nature of the churches. Not to mention that no matter what faith you follow, a church is still a gathering place for believers which makes it universally appealing. The statues and paintings of Saints seem universal to me because the Saints aren't just Roman but they are a Catholic thing more or less. I'm having trouble spitting out what I'm trying to say. Basically all the basic religious stuff is universal for anyone because it's all about the life and sacrifice of Jesus. So whether you believe he was a prophet or the Son of God or just a cool dude who spread some good ideas, you still appreciate his having existed whether you live in Rome, Italy or Rome, Ohio.
Monday, September 21, 2009
MiDtErM
^^^Check it out here!!!!^^^ =D
The piece of artwork I chose is “The Garden of Earthly Delights” by Hieronymus Bosch. He painted this awesome triptych during 1503-04 and is now housed in the Museo del Prado in Madrid, Spain since 1939. Its dimensions are 87 in. by 153 in. and is a three paneled oil and wood triptych.
I have always been drawn to this painting basically because it is so weird. Especially to have been painted in the early 1500’s when Bosch was in his 50’s it seems like it would have been a more modern painting for that time. The use of color and abstract figures is something I would expect for myself or someone my age to paint now. The left panel of the triptych is (or is thought to be) a depiction of the beginning of creation. All the important figures are represented, specifically the concrete figures of the creation story, Adam and Eve. The middle panel is large in comparison to the other two and is just a mess when you first look at it. There is a little bit of everything going on. The most obvious thing is all of the naked people doing whatever they may be doing. Also they all appear to be rather young. Some people speculate that this may be Bosch’s interpretation of the sinfulness of the world after creation or that it may be a depiction of the paradise we lost with the fall of man. Whatever it was meant, it is really cool and keeps me entertained. I am always trying to figure it out and making up little stories about all the people and why they look the way they do or why they are doing whatever they are doing. The panel on the right is hell. There isn’t really any other way to interpret it especially if you get the correct imagery out of the first two panels. It is thought to be Bosch’s depiction of what happens when humans fall to temptation. The city is even burning, it’s obviously hell.
My first impression of this particular piece was just that I loved it. Then after learning a little bit about it I just agreed with the background I had been given about it being creation and earth and hell. Then upon putting more thought into it, my own interpretation, I should say my next guess, would be that the left panel is good, the right panel is evil and the middle panel is the struggle between the two. You can see in the middle panel some solo people looking out on the crazy other people and I can imagine them being unsure what to think about the things going on around them, trying to figure out what is right for them or where they stand. I consider it more a portrait of humanity and temptation than a temptation to hell type scenario. Although traditionally triptychs are meant to be “read” from left to right and Bosch’s other two triptychs are “read” from left to right, that doesn’t mean this one necessarily had to follow the pattern. Even though it probably does, I still like my interpretation not completely ruling out the expert’s opinions. It’s good to break the mold every now and then!
Sunday, September 20, 2009
"Jesus was like WebMD"
Wednesday, September 16, 2009
Out of control
Tuesday, September 15, 2009
That monkey thinks he's a kangaroo!
In Italy the pace is much, much slower and relaxed. There are always people talking and relaxing because they allow time for it. Instead of scheduling everything out and having a set time to do this and do that, they leave their day a little more open so they can enjoy it instead of rushing through it. Instead of working our standard 8 hrs or more consecutively during the day they work for a while, close around noon, enjoy this thing we call leisure and a huge, delicious meal, then return to work around 3 or 4 or 5. The focus more on their family as well. When I am relaxing or having the most fun it seems my friends come to mind. I don't spend much time with my family because we re al lso spread out and not as close knit as Italian families. It also seems like they know their family so much better than we know ours. I couldn't tell you anything about my grandma or grandpa's brothers or sisters. I feel like here they keep in close contact with all their family basically coining the idea of the 'big italian family'. Comparing the two persepectives it seems to me that Italians have a better appreciation for family for sure and maybe even each day than Americans tend to. They value their family enough to take whole chunks out of each day to be with them. I went from Christmas to spring break this passed year without seeing my Mom or Dean even once. They also take each day as it comes and enjoy it while it's here. Maybe we could learn something from them and take time to "stop and smell the roses" or if you're in Florence you can smell the leather, which ever you prefer. ha
Sunday, September 13, 2009
Ugh.. not right now! We are getting our picture painted!
We are golden
Wednesday, September 9, 2009
"Then she will take a umm..what do you call it? a stink?" "huh?? You mean a drink!!"
An Italian piazza, not to be confused with pizza, is pretty much an open area with lots of activity of various sorts. Some piazzas have historical significance like the Piazza Nuova with it's fountains that were once used as a circus. Now people from all over gather there to take pictures, eat good food, shop for cool stuff, and oogle at the street performers. It brings everyone together which is a huge part of Italian culture. They are always known for gathering to talk about everything and everything.
There are a few potetiental similar cultural structures in America. The first one that comes to mind that has absolutely no historical relevance at all is your standard mall. There are always tons and tons of people at malls--tourists, naitives you name it, they can be found in malls. They shop, eat, gather, talk, play and everything that is done in piazzas pretty much without the important background. Some malls are more well known than others such as the Mall of America just as some Piazzas are more well known. The next thing that comes to mind may just be a small town tradition thing, which gives it a little bit of history. In Marysville they always block off the center of town (Historical downtown Marysville ha) for festivals and so on. One of the big things to come through Mville is Honda's Bike Week. There is a big festival and all of downtown is closed off, stores stay open, people set up food stands and all kinds of good stuff. People come from all over the place to be there because these bikes are traveling from all over the U.S. for this festival alone. For that week downtown Marysville turns into a cultural structure similar to the traditional Italian piazza!
The statues and artwork of the Republican Era were used mostly for the Emperors to show how awesome they were. They were used as propaganda to make their subjects believe they should be in power. The statues of the Republican Era were built to last since it obviously was the goal of the Emperor to stay in power. However such statues were not nearly as impressive as the statues contributed by the Imperial Era. These statues were used as decoration in private residences and important places. They were meant to be pretty, not to portray or encourage a certain thought. They were often of irrelevant, however pleasing things as opposed Emperors adorned in battle garb and war scenes.
The statue I chose is of a small child not doing anything in particular but looking cute. I can imagine this statue in color in the front room of someone's house. Being the first thing you see when you enter the house, the giddy look on the child's face would be enough to make you smile. It is a copy, not an original Imperial piece. Now-a-days we would be like "what?!?! A copy!?!? Proposterous!" However during the ancient Roman times, copies were accepted just as much as the originals and held in high regard for their beauty and visual significance.
ps-if my blog disappears, don't fret. I think I may have to shut down my site completely and then re-do it so my blogs will start posting when they say they do and my pictures will load. the end.
Sunday, September 6, 2009
A mum for your mum?
We had so many beautiful, amazing, awesome smelling flowers to chose from! The combonation we chose were the Yellow Tiger Lilly, Mum, Sunflower, Gardenia, Red Rose, and Diasy (my personal fav!). Here are the statistics for each one in reference to Fibonacci numbers:
1) # of petals expected
2) # of petals counted
3) Fibonacci relevance
Yellow Tiger Lilly:
1) 6 petals
2) 6 petals (3 spotted & 3 solid)
3) 6 is not a Fibonnaci number, however 3 is!
Mum:
1) 144 petals
2) 134 petals
3) 134 is not a Fibonnaci number however, certainly some petals had to be lost in translation. 134 is just 10 shy of 144 which is a Fibonacci number! That's a lot of petals..
Sunflower:
1) 34 petals
2) 34 pretty yellow petals!
3) Fibonacci #! (common example used!)
Gardenia:
1) 21 petals
2) 21 petals
3) Fibonacci #!
Red Rose:
1) 13 petals
2) 13 b-e-a-u-tiful red petals!
3) Fibonacci #!!
Diasy:
1) 34 petals
2) 34 of my fav petals!
3) Fibonacci #!
"RarrReeRReeAHHE" PteraGina
Religion does a lot of different things for different people. For some people they find hope that they would not otherwise have without something to believe in. It helps people cope with things or understand things that don't otherwise make sense. Tradition provides some stability and comfort in religious institutions. It is always good to know what to expect instead of being blindsided by the strange and unknown. With traditions you know what to expect. For example some people know that every sunday they are going to get up by 8:30 am, have breakfast, be at church by 9:45, have a huge family lunch at Grandma's and then sit around doing family stuff like watch football games until you can't see straight. This is a tradition that shapes some people's family values that stay with them their whole lives. Unfortunately it has to be said that I feel some people misuse religious tradition to conform to something they wish they were. If that makes any sense. Some people wholly believe in the traditions they follow and live their life accordingly. These people I have the most respect for because sometimes it's so hard to believe in anything especially something you just have to feel like you know without hard proof. For these people tradition is how they live their faith.
My outlook on religion promising a future but being rooted in the past is a little less optimistic. It really can't promise a future. But for some people, religious or not, they have to believe in an afterlife--something better--or they will go crazy. We have to believe that the people that we love that have passed went onto some place better than the constant chaos of here. It makes things easier pretty much. Other than pure ambition what incentive do you have to live the "right" way if you believe that after you die then you're nothing more than worm bait? Not too much. But if you believe that living the "right" life will get you a ticket to paradise where everyone you have ever loved would be waiting for you then you have a pretty good incentive to live the way we are told we are supposed to. Who is to say scripture can't be written today too? Why wouldn't God chose modern day "prophets" to speak through? It doesn't make sense to me that Christianity cna't continue to be expanded upon. That of course is just my opinion outside of a strongly informed religious background. I feel like I'm not really answering the question, but I don't have really any idea how to answer it. All I can really do is toss out my opinion and hope it's not completely off the reservation.
Wednesday, September 2, 2009
The Flowers & The Trees
I think there is a good chance that a lot of people chose the same invention to write about since it got a little confusing and there weren't really many tangible objects to chose from that weren't ruled out by our class. I chose the crossbow because it is one that his design overall was a good plan, but he didn't have the materials to make it possible. Not to mention I have recently used a crossbow that wasn't made of wood and string, so I can imagine the changes that needed to be made to make it easier to use. All of these things Da Vinci obviously didn't have access to. It would also make everything easier to make a practical sized bow instead of a giant one. You can do just as much damage with a smallerInstead of firing the bow by hitting a pin with a mallet, a trigger is more practical as is seen in the crossbows we use today. For example my mom's crossbow is mostly industrial fiberglass which makes it light but extremely strong and effective. I can't imagine that huge crossbow made of wood and nails would be very light. Not to mention wood breaks easily so if you're constantly pounding on it with a mallet to fire it everytime it would porbably get worn down easily. I really wish there would have been more things in the exhibit that we could understand better. I feel like it honestly could have been a lot better, though I still enjoyed it because Da Vinci was one cool dude!
Sunday, August 30, 2009
"It's so soft---I expected it to be hard" - Liz
Out of all the amazing statues and sculptures in the Capitoline Museum the one that I was drawn to and inspired by was of Athena. She is the Greek goddess of war, wisdom, arts, justice, industry and skill. As if all these things weren't enough to make her a big deal, she is also the daughter of Zeus who is pretty much the God of all Greek Gods, from his first wife. It's safe to say that since Athena is a Greek goddess this sculpture is a Roman copy of an original Greek sculpture. Not to mention the caption explaining the sculpture said so =) hehe
I am inspired by Athena because she is the ultimate example of a strong, talented and inteligent woman. Not only can she do anything physically, but she taps into every aspect of awesomeness and important things. She is all around just one bad booty.
Thursday, August 27, 2009
"It just grows back?! Like the little lizzard's tails?"
Wednesday, August 19, 2009
This should be an axe commercial
On top of the mushy gushy nostalgic stuff I am amazed at their ability to build such amazing, durable structures with nearly no technology. Certainly nothing like ours. We have learned so much from our ancestors yet we have new buildings fall apart everyday. Things are always needing fixed and houses that are 10 yrs old are condemned lying in disrepair. How did they do that? ha Like the basilica in the Forum there are those marks from the ropes where the soldiers tried to tear it down. Crazy. We could learn something from them on building things to last.